Showing posts with label Iconic L.A.. Show all posts
Showing posts with label Iconic L.A.. Show all posts

Monday, April 26, 2010

Iconic L.A.: Save the Peak -- Final

WELL, WE CAN close the chapter on the fate of "the Peak." L.A. Times reporting this afternoon that Playboy founder, Hugh Hefner, has come to the rescue of the Hollywood sign "anteing up $900,000 to help in the effort to preserve the land surrounding the famed landmark," says the Times. This will be pooled with $500,000 in matching grants from the Tiffany Foundation and Aileen Getty.
And so, as they say in pictures . . .
Fin

-- L.G.
(photo credit: b. rosen, flickr, creative commons)

Saturday, April 24, 2010

Iconic L.A.: Road, Music & California Love

DRIVING TOWARDS THE beach meant double-sided cassettes spinning verse about “California Love”. Bass-treble gangsta’ anthems that inflated my brother’s bravado as he and his friends took in the babes and waves on either side of that caramel-colored Regal. Gustavo spent these days looking through his rear-view at the chubby mess of bashfulness sitting by the window. In his mind, the over-confident charm he and his friends worked over the sun-soaked girls on each of those trips were actually attempts to mold me. The Aztec gods, Olde English, black and white brown pride engraved on his arms, afternoon rides by the beach, and Tupac’s voice all seemed to influence me—this imagery would prove to shape my sentimentality of Los Angeles, whenever I would acknowledge its claim over my memories.

Tupac as a poet acts as a historian of my time in Los Angeles. His voice has the uncanny ability to surface images and senses that remind me of my first impressions of the city. Growing up I spent most of my time with my older siblings—hanging out, parties, fights, rides and rides and rides all took place within the limits of Manhattan Beach, Inglewood, and Hollywood. Tupac, as well as his friends in the genre Snoop, Ice Cube, Dre all seemed to come together to make a distinctive sound that makes me envision my family at a younger time in their lives. To me, Los Angeles represents my family growing up and driving through it with me. These times shaped my understanding and reinforced their memories with the music that surrounded. It has an aggression that represents the real struggle people face every day in this city, it illustrates the strength that people have developed after dealing with it, but it also reflects the excitement to be had within it.

Take “Dear Mamma” for instance. It reminds me of how my mom would take the bus home from work every day—trying to forget the tension in her soles with each glimpse of L.A. life on the way home. Then there’s artists like Ice Cube who remind me of fights breaking out at barbeques in Inglewood over the stupidest machismo reasoning. A song like “I Get Around” or “How Do You Want It” makes me smile at the thought of laughing with my siblings on the beach. My understanding of what makes Los Angeles L.A. is completely personal. I imagine this to be the case with any local. For my experience, I am left with songs and artists that really represent the impressions that my family created throughout the city. Even though my music taste has grown and developed on its own accord, I still keep these songs dear to my heart because they remind me of myself, my roots, and my relationship to this city.

-- Jesse Alvarez
(photo credits: bixentro, my_tats, didoro flickr photo stream)

Thursday, April 15, 2010

Iconic L.A. Save the Peak -- Reprieve

THE LOS ANGELES TIMES reports that Hollywood sign supporters now have 16 more days to raise the funds -- $12.5 million -- to save the the iconic sign and the land surrounding it from "development" L.A. Times blogpost here.

(photo caption, L.A.'s biggest booster, Councilman Tom LaBonge
photo credit, Al Seib, L.A. Times)

Monday, April 5, 2010

"We Tell Stories . . . :" Jean Baudrillard

WE'VE ALL SEEN it from above but what do you see when you look down at the maze of light?

"There is nothing to match flying over Los Angeles by night. A sort of luminous, geometric, incandescent immensity, stretching as far as the eye can see, bursting out from the cracks of the clouds. Only Hieronymus Bosch's hell can match this inferno effect. The muted fluorescent of all the diagonals: Wilshire, Lincoln, Sunset, Santa Monica. Already, flying over San Fernando Valley, you come upon the horizontal infinite in every direction. But, once you are beyond the mountain, a city ten times larger hits you. You will never have encountered anything that stretches as far as this before. Even the sea cannot match it, since it is not divided up geometrically . . . . Mulholland Drive by night is an extraterrestrials vantage point on earth, or conversely, an earth dweller's vantage point on the galactic metropolis."
What do you see when you gaze down at Los Angeles?

(photo: los angeles at night; credit, b.mune flickr creative commons)

Tuesday, March 16, 2010

Iconic L.A.: "All You Could Want -- But More"

"LOS ANGELES, a world within itself, wouldn’t be all that it’s cracked up to be with out me. Arguably, I am the “Iconic” landmark to which LA owes much of its’ sparkling recognition. Governing approximately 22 miles I cover a range of neighborhoods from downtown Los Angeles, all the way to Pacific Coast Highway. In 1912 I was the first to see the fabulous Beverly Hills Hotel constructed in all of its glory, and the last to see the noteworthy author F. Scott Fitzgerald when he died in 1940. In 1994 I got the Blues on Argyle, and in June of 1995 Hugh Grant came to me for a little evening company, trust me he wasn’t the first.

The night is my favorite, I light up like Las Vegas and thousands of people come to see me. The poor and homeless the rich and famous, young and old all can’t get enough of me. I have all you could ever want plus more. I know where the stars live and if you want to find them, I have maps to guide you. I have discovered musical talent at the Roxy and I can get you into the coveted UCLA. You can find me on rodeo drive, and if in you’re in the mood for a laugh meet me on Laurel. Hungry, I’m known to have just about any type of food you can ask for. Brazilian, Mexican, Asian, American, and Hawaiian I have it all.

If that isn’t proof enough that I am “Iconic” Los Angeles than what if I told you that in 1950 Billy Wilder wrote and directed a movie all about me. My movie won 3 Oscars plus accumulated another 13 wins & 13 nominations. That’s right Billy’s movie starring William Holden as the ambitious writer, Joseph Gillis, and Gloria Swanson as the demented has been, Norma Desmond was all about life with me. No doubt LA is much different today than how it was in those days, but I’ll never forget mingling with the stars as my movie was made. That won’t be the first time I’ve had a front row seat or even a role for that matter, in movies about Los Angeles. That list goes on and on.

I’ve been on special events, birthday, wedding, and baby shower invitations. People come from all over the world to spend time with me. Hearing myself speak of these momentous experiences and characteristics, I am beginning to sound a little arrogant; some Angelenos no doubt gets that from me as well. It should be obvious by now, that I’m pretty important when it comes to drawing attention to Los Angeles. With this resume, not to mention the countless additional things I can add, I’ve seen it all and the sky’s the limit. Everyone knows me on a first name basis and believe it or not you do as well, I am Sunset Blvd. and I am Iconic Los Angeles."



-- "As Told To" Erin Golightly


(photo caption: Sunset Strip
photo credit: top, babyknight; bottom, clinton seeds, flickr creative commons
)

writing l.a. . . .

writing l.a. . . .